Jennifer Archibald Responds to the Tulsa Race Massacre With a Multimedia Premiere for Tulsa Ballet

Jennifer Archibald’s professional roles almost mirror the breadth of the dance field itself. A Canadian now based in New York City, she runs her own dance company and its ArchCore40…

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Why Some Dancers Are Finding an Outlet in Burlesque

If you hear that someone’s a burlesque performer, you might call to mind Gypsy Rose Lee’s journey from vaudeville youngster to snobby stripper in Gypsy, or even the painted ladies of Moulin…

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Why Dancers Belong on the Ballot

In the winter of 2014 I was literally running through the streets of New York City to my first-ever meeting with Gale Brewer, the borough president of Manhattan. I was…

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When Dance Work Dried Up, This Artist Founded a Nonprofit to Serve Her Neighbors Down the Street

Janice Rosario is a used to having a packed schedule. Pre-pandemic, she juggled teaching at The Ailey School in New York City with traveling throughout the U.S. to guest choreograph…

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At What Point Does Appreciation Become Cultural Appropriation?

Michele Byrd-McPhee’s uncle was a DJ for the local black radio station in Philadelphia, where she was born. As a kid she was always dancing to the latest music, including…

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Post-Election Dancing Erupts in Streets Throughout the Nation

Dance has long been used as a powerful form of protest. So it’s all the more meaningful when that movement shifts from fighting oppression and injustices to celebrating a victory…

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Post-Election Dancing Erupts in Streets Throughout the Nation

Dance has long been used as a powerful form of protest. So it’s all the more meaningful when that movement shifts from fighting oppression and injustices to celebrating a victory…

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The Dance Community Wants You to Get Out the Vote

Without the regular bustle of the fall performance season, much of the dance community has a rare amount of free time on its hands—and it’s being put to good use.…

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The Dance Community Wants You to Get Out the Vote

Without the regular bustle of the fall performance season, much of the dance community has a rare amount of free time on its hands—and it’s being put to good use.…

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It’s Time to Overhaul the Blackface (or Blueface) Puppet in Petrouchka

When Michel Fokine’s ballet Petrouchka premiered in 1911, none of the (largely white) audience members in Paris objected to the big, dumb puppet being portrayed as a Moor in blackface.…

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